An Easy Passage by Julia Copus

 

Julia Copus

An Easy Passage by Julia Copus

Once she is halfway up there, crouched in her bikini
on the porch roof of her family's house, trembling,
she knows that the one thing she must not do is to think
of the narrow windowsill, the sharp
drop of the stairwell; she must keep her mind
on the friend with whom she is half in love
and who is waiting for her on the blond
gravel somewhere beneath her, keep her mind
on her and on the fact of the open window,
the flimsy, hole-punched, aluminium lever
towards which in a moment she will reach
with the length of her whole body, leaning in
to the warm flank of the house. But first she
steadies herself, still crouching, the grains of the asphalt
hot beneath her toes and fingertips,
a square of petrified beach. Her tiny breasts
rest lightly on her thighs. – What can she know
of the way the world admits us less and less
the more we grow? For now both girls seem
lit, as if from within, their hair and the gold stud
earrings in the first one's ears; for now the long, grey
eye of the street, and far away from the mother
who does not trust her daughter with a key,
the workers about their business in the drab
electroplating factory over the road,
far too, most far, from the flush-faced secretary
who, with her head full of the evening class
she plans to take, or the trip of a lifetime, looks up now
from the stirring omens of the astrology column
at a girl – thirteen if she's a day – standing
in next to nothing in the driveway opposite,
one hand flat against her stomach, one
shielding her eyes to gaze up at a pale calf,
a silver anklet and the five neat shimmering
oyster-painted toenails of an outstretched foot
which catch the sunlight briefly like the
flash of armaments before
dropping gracefully into the shade of the house.

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History by John Burnside

History by John Burnside

St Andrews: West Sands; September 2001

Today 

         as we flew the kites
- the sand spinning off in ribbons along the beach
and that gasoline smell from Leuchars gusting across
the golf links;
                       the tide far out
and quail-grey in the distance;
                                                 people
jogging, or stopping to watch
as the war planes cambered and turned
in the morning light –

today
          - with the news in my mind, and the muffled dread
of what may come – 
                                  I knelt down in the sand

with Lucas
                  gathering shells
and pebbles
                   finding evidence of life in all this
driftwork:
                 snail shells; shreds of razorfish;

smudges of weed and flesh on tideworn stone.

At times I think what makes us who we are
is neither kinship nor our given states
but something lost between the world we own

and what we dream about behind the names
on days like this
                           our lines raised in the wind
our bodies fixed and anchored to the shore

and though we are confined by property
what tethers us to gravity and light
has most to do with distance and the shapes
we find in water
                           reading from the book
of silt and tides
                          the rose or petrol blue
of jellyfish and sea anemone
combining with a child’s
first nakedness.

Sometimes I am dizzy with the fear
of losing everything – the sea, the sky,
all living creatures, forests, estuaries:
we trade so much to know the virtual
we scarcely register the drift and tug
of other bodies
                         scarcely apprehend
the moment as it happens: shifts of light
and weather
                    and the quiet, local forms
of history: the fish lodged in the tide
beyond the sands;
                              the long insomnia
of ornamental carp in public parks
captive and bright
                              and hung in their own
slow-burning
                       transitive gold
                                               jamjars of spawn
and sticklebacks
                           or goldfish carried home
from fairgrounds

                            to the hum of radio

but this is the problem: how to be alive
in all this gazed-upon and cherished world
and do no harm

                         a toddler on a beach
sifting wood and dried weed from the sand
and puzzled by the pattern on a shell

his parents on the dune slacks with a kite
plugged into the sky
                                 all nerve and line

patient; be afraid; but still, through everything
attentive to the irredeemable.

Click here to buy Selected Poems by John Burnside